Today


Hazy sun rising through the smoke of the wildfires.

Going up


Escalator on the southeast corner of California Plaza.

Hanging out

Vines hanging over bars.

Let it out

Extreme close-up of the exhaust vents at the base of one of the downtown skyscrapers.

No stopping

Long shadow of street sign cast by midday sun
reflecting off downtown skyscraper (California Plaza One).

Not waiting on a lady

Evening at the steps at the end of the Willow station on the Blue Line.
(Yes, they go down to gravel.)

Shooter

Water Court, California Plaza.

Drifters

Looking east. No rain.

Stepping down

Bird

Bird statue like piece in a pool in the Citigroup Center in downtown L.A.

Sunrise in four minutes

6:26 am

6:28 am

6:30 am

Morning hunter

Looking down the hill toward Discovery Well Park in Signal Hill, the automatic focus dwells on (what I believe are) cacti in the foreground.

Fair enough.




However, switching over to the manual focus, I captured what I actually wanted to photograph.





Webs illuminated by sunrise.

Dawn

Purple flowers illuminated by dawn's first light.



(Yes, it's supposed to be focused on the flowers in the background.)

The moon-cloud experiment

All were taken with a 22mm focal length (the maximum zoom), focused at infinity, with (I think) the ISO set at 100. Mostly I was seeing what I'd get by playing around with the lens aperture and with the exposure time.


I started with lens aperture at F/7.1, a 1 sec exposure, and got:


I opened up the aperture to F/5.6, keeping other settings the same, and got:


I further opened the aperture to F/4, still 1 second (and same ISO), and compensated with a +0.7 overexposure, and got:


I reduced the aperture down to F/6.3, no exposure compensation, but extended the exposure to 4 seconds (yes), and got:

So, in the end, what I learned is that getting a brightly lit object and dimly lit objects in the same night sky to show up with decent detail on both is way more difficult than it might seem, and takes much more than fiddling with settings.

The moon and send-in-the-clouds experiment

On the left: the F stop (aperture) and shutter speed (exposure length);
on the right: the resulting shot.


F/5, 1/320 second

F/7.1, 1/200 second


F/7.1, 1/40 second


Moon-cloud experimentishness



Near-full moon obscured by clouds. Not that you can see any clouds other than the ones drifting in front of the moon, because getting any detail on the lunar surface keeps the rest of the sky too dark to see clouds.

And yes, the irony of obscuring the moon with the clouds is not lost on me.

Gooder-er-night moon

Crescent moon (with improved detail over the previous attempts at capturing anything) from my balcony.




(For the curious: exposure 1/20 second, aperture F/5, ISO 100; manual focus at infinity. And then cropped down, but no software enhancement.)

(For the really curious: taken with Canon S3 IS on a flecpod tripod wrapped around the railing on my patio with focal length 72mm.)

Thirst

Drinking fountain by Angel's Flight in downtown L.A.

Sliver

Sliver of midday sun bends around the pillar holding up
the 4th St. bridge over Flower St. in downtown L.A.

Summer?


Autumn-type foliage in California Plaza, downtown L.A., with the One California Plaza tower in the background (reflecting the image of Two California Plaza).